picture profile sony a7s2


S-Log2 has a minimum ISO setting of either ISO 1600 or ISO 3200 and therefore has to be used in conjunction with ND filters if you intend to shoot with wider apertures and keep the shutter speed at a setting that is appropriate for recording movies (below 1/125 second). As you can see below, Movie adds more contrast and saturation, which can be fine depending on the look you’re after. If you want to have a preview with normal colours and contrast, you can use a setting on your A7 III called Gamma Display Assist: It can also be used when playing back movies on the camera’s monitor/viewfinder. The Adjust entry lets you fine-tune other parameters such as Vertical and Horizontal details, among other things. Thanks! Color Phase adjusts the colour hue of your image (reddish or greenish) in ±7 levels. Move to the item index screen by pressing the right side of the control wheel. No Intra here so that it works with regular SD cards. The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. The look of your image is also influenced by the Gamma setting seen earlier. The A7s2 is much smaller than the Fs7 and makes the gimbal rig light and easy to handle. Assist doesn’t work when the camera is connected to a TV or monitor. However, the dynamic range becomes narrower accordingly when you shoot with a brighter setting. Sony A7S II versus rival model with similar score. You may have noticed that the colours are not exactly the same in the video above and you’d be correct. Select the desired value using the top/bottom sides of the control wheel and press in the center. You may think that this setting is only related to the final end use, but HLG is an interesting profile because it records more dynamic range than most other gamma curves, without giving you the same flat look you get with S-Log (the image doesn’t look unnatural). Log Profiles4. By default, the Picture Profile setting is turned Off. One is shot with the Standard Creative Style, the second with one of my PP presets. When setting these parameters, connect the camera to a TV or monitor, and adjust them while observing the picture on the screen. Alternatively if I want the perfect image and I have plenty of time to colour correct in post production on Photoshop CS6, I will use a Picture Profile of PP7. On Page 5, if the Picture Profile is set to OFF, I like to set the cameras' Creative Style option to Clear, as this gives the images more sharpness, so when photographing buildings and design, you'll get a great finish. The two cameras complement each other well. PP1: Soft looking image that requires small adjustments in post and pleasant with skin tones. Point determines the video signal output (white level) where to make the adjustment. Interceptor121 461 Interceptor121 461 Blue Whale; Member; 461 3508 … If we look at our doll example below, you can see that some of the dress at the centre is clipped (white without any detail in the dress texture). The native ISO varies depending on the camera you’re using. I've done a lot of searching forums but I feel most comfortable using these settings. The image out of the Sony a7S II is superb. While searching for the right look in-camera, it is also important to consider skin tones when recording close-ups of people. If the noise still is significant even after processing pictures, it may be improved by shooting with a brighter setting. This setting is very precise at altering only the channels you’ve selected. a TV broadcast company), you want superior quality and control over your image, Knee: Manual, 75%, +2 (you many need to vary this depending on your specific light situation, if you don’t want to bother leave it to Auto). All of them are entirely customisable. If you decided to buy something after clicking the link, we will receive a small commission. Related to the gamma setting, black gamma allows you to change the gradation of dark areas in your image (darker or brighter). It took about a week after uploading my first video for me to discover that there is a massive community of wedding cinematographers out there that want to get better at their craft. Here you’ll find various colour types and colour levels designed for different gamma curves. By default, the ten parameters (PP1-PP10) are set to cover the following in-camera gamma profiles; Movie, still, Cine1-4, ITU709, ITU 709 (800%), S-Log-2, S-Log3 and HLG1-3), with manual control over numerous parameters including black level, colour mode and saturation. So much for the main camera. Your personal data won't be recorded until the form has been submitted successfully. In the example below, you can see that HLG loses some highlights in the window, but the image has better contrast and saturation overall. Its colour gamut (range of colours) is very similar to that of sRGB for stills. Trivia: recording in 10-bit means recording 64 times more colour depth in comparison to 8-bit. When you record with a Log or HLG profile, the preview on your LCD screen doesn’t reflect the final look of your video. If you buy something after clicking the link, we will receive a small commission. The Black Level makes the blacks of your image harder (darker) or softer (lighter). You’ll see a desaturated image with less contrast. Where to find them and why to use them2. PP3: more contrast and saturated colours that can work well for landscape shots or other scenes where you want vivid colours, PP5: record more dynamic range to do some colour grading in post. Intra is preferred because Final Cut and other NLEs can handle that type of compression a lot easier than Long GOP options. Certainly the zone outside the window remains overexposed, but the green colours are not washed out and the transition between the different tones is more natural. You may be inclined to increase the blacks to “hide” the noise, but I find that choosing a level close to -7 can actually accentuate the contrast and make noise less subtle. A positive value will increase the gradation but reduce the dynamic range. When you add up all of the a7S II’s different recording modes, it can be difficult to keep track of when different frame rates and bitrates are available, and which modes result in different crop factors. This is not a big problem necessarily depending on the type of work you’re doing and where the final product goes. You may just be in for a surprise. In comparison to the base HLG: Overall I like to use HLG3 because not only do I get more dynamic range, but the noise is also cleaner and more uniform than HLG and HLG2 as you can see below. Slope determines the inclination of the knee curve. The Sony A7S II is a great camera. Share this post. It works in ±15 steps. The S-Log3 offers better tonal reproduction from shadow to mid-tone (18% grey) than the S-Log2. The parameters within each of your A7 III Profile Pictures can be a bit overwhelming if you’re not an experienced video maker. Oct 26, 2018 - Acclaimed Sony shooter Cody Blue explores the topic by comparing both Cine4 and HLG to determine which picture profile is best to use for filmmaking. Sony a7S III FilmConvert Profile Added. I always like to choose a softer gradation, so a gamma like Cine1 or Cine3/Cine4 would satisfy my needs, and I can complete a few things in post. There may be more noise in dark parts depending on the gamma settings. Look at the two images below. However be careful when setting the Slope because a negative value can decrease the brightness too much. Easy post-production tool expands expression . Unlike the default Creative Styles, the Picture Profiles are designed for video use. Here, you will see a bunch of options you can fine-tune, such as Saturation and Black Level. Picture Profile adjusts colors and the vividness of the image during recording. The advantage of using a Log profile is that you have more flexibility in post when colour grading, can match colours between various shots more precisely, and can give your image the creative look that you want. You can make similar adjustments by using nonlinear editing software after shooting. Therefore, try to expose for the right as much as possible so that the dark areas of the image are as bright as possible. The image is super clean and very cinematic. Since the parameters are shared for movie and still images, adjust the value when you change the shooting mode. But for very precise colour grading, the footage from your SD card, or even from an external recorder could show some limitations. For the gimbal shots (our excellent Zhiyun Crane 2) we used the Sony A7s2 dslr. To customize, select any of them by pressing right on the control wheel. If you’re a beginner, limit yourself to Black Level, Gamma, Colour Mode and Saturation. A gamma curve mediates the input signal level (the original scene and the amount of light available) and the output signal level (the amount of brightness the camera can reproduce). Sony A7 / A9 Resources. If I level up the two profiles in post to have the same brightness, the result is more similar. If we look at the gamma curves, I find that Cine3 (or Cine4) give slightly better results than Cine1 or Cine2. More details on the houses and roofs are visible, as well some mountains in the background. In other words, they are the settings that give you the best dynamic range. Note: if you record with Log and colour grade, your editing software may have some tools to reduce noise. This is because I used two different colour modes, both designed for Log curves. If you are interested in colour grading, start with the HLG setting, which is easier than S-Log. The S-Log3 offers better tonal reproduction from shadow to mid-tone (18% gray) than the S-Log2. I hope they can be helpful for you as a starting point. Sony … In comparison to Black Level, the effect of Black Gamma is more subtle. When you work with HLG, there are only two colour modes available: Trivia: BT.2020, also known as Rec.2020, is fundamentally the next generation of standardisation for broadcast television, specifically ultra-high definition (4K). In Manual mode, there are two parameters: Point and Slope. )), V/H Balance: Sets the vertical (V) and horizontal (H) balance of If you print RAW images with shooting settings, the following settings are not reflected. The α7S II even offers impressive 14-stop latitude in S … This happens because in order to deliver the best exposure latitude, the camera uses the native ISO of the sensor, which is usually higher than the normal base level. PP1: black level: 0 Gamma: S-log2 Black gamma: range middle, level -3 Knee: mode auto, Auto set: max point 95%, sensitivity Mid Manuel set: point 95%, slope +5 … He is a father, husband, a Sony Artisan of Imagery … Gamma Display Assist on Sony A7 III, A7S II, A7R IV . For S-Log3, there is S-Gamut3 and S-Gamut3.cine. We were not asked to write anything about these products, nor were we provided with any sort of compensation. You can adjust the maximum point (output level) and Sensitivity (at which level the knee adjustments starts). S-Gamut and S-Gamut3 have a wider colour gamut in comparison to other profiles such as P3 and 709. http://helpguide.sony.net/di/pp/v1/en/index.html, Situations this product has difficulty handling. However S-Log3 can display more noise in the shadows because it brightens the dark areas further in comparison to S-log2. Select the item to change using the up/down sides of the control wheel. You still need to colour grade a little, but the process can be as quick as adding a bit more contrast and increasing the saturation. A negative value will preserve more dynamic range but you may lose natural gradations. Some curves give you more contrast and deeper blacks, others have less contrast and more highlight details, and a few are designed to give you the best dynamic range possible. / sony a7ii picture profiles for video. The FilmConvert license gives users access to all the camera packs currently available plus 12 months of new camera pack updates. The following image of a doll is our reference to show you what each setting does. The last two entries allow you to copy the settings of one picture profile to another, or reset one picture profile to its default values (note that you can’t reset them all at once). You can even try to adjust other parameters such as Black Level and Saturation to have a good result in camera with the best dynamic range possible. However, S-Gamut setting of this camera does not support the whole color space of S-Gamut; it is a setting to realize a color reproduction equivalent to S-Gamut. In other words, gamma is a curve that defines the look of the image in terms of luminance. Move to the item index screen by pressing the right side of the control wheel. HLG is not available on the A7 I and A7 II series. For S-Log2, I selected S-Gamut which is the one that Sony recommends. Sony says that it has been named this way for consistency with other cameras and functions (the whole HDR standardisation is a bit all over the place to say the least). This parameter increases or decreases the strength of details in the image in ±7 levels. In the wonderful world of the internet, you won’t have trouble finding tutorials that explain everything you need to know, but of course it requires extra work. Thank you! It is a very good setting because you can push it to the maximum without over-sharpening, and the image retains a natural look. The answer is difficult to give because there isn’t a noise reduction setting in the Picture Profile. Born in the Philippines, Spencer moved to southern California at a very early age as a son of a US Navy sailor. The Sony a7S II has a 12.2-megapixel CMOS sensor very similar to the a7S. MENU → (Camera Settings) → [Picture Profile] → the profile you want to change. Purchase now – Special price $14.99 Special offer: Buy EOSHD Pro Color 3.0 + Pro LOG together for $29.99 (Was $49.99) EOSHD Pro Color is a highly optimised in-camera profile for your Sony camera, resulting in much better colour and image quality straight out of the camera. The α7S II even offers impressive 14-stop latitude in S … Sony Pictures The hub for your favourite movies and TV shows. In the following video, long-time Sony user Cody Blue shows off what he believes are the best Cine4 settings when shooting video with a Sony mirrorless camera that features the profile. The “cine” version has a smaller colour gamut than the normal “3” version, which will work fine in many cases. There are also more ridges on the a7S II that make it easier to fit into the contours of your hand. This is really advanced stuff so I would recommend leaving Adjust to Auto. Here is the list of the Gamma setting available and what they do: Trivia: ITU709, also known as Rec.709 or BT.709, is a standard gamma curve for HDTV (High Definition Television). You can recover some highlights on S-Log2 and reduce noise on S-Log3 by making the shadows a bit darker. To finish off, here are some of the presets I have used and tweaked on a regular basis for my reviews and comparisons. Sony and the Environment How we’re reducing our eco-footprint through energy efficiency and recycling initiatives. MENU → (Camera Settings1) → [Picture Profile] → the profile you want to change. It can work with Standard Dynamic Range and has a wider colour gamut than Rec.709. Picture Profile Settings3. Where mirrorless cameras go head-to-head! But there are the following differences. Enter your email and click the blue button below to open the subscription form. HLG stands for Hybrid Log Gamma and is a standard developed by the NBC (UK) and NHK (Japan). Knee allows you to control the signal in high sensitivity areas to have more or fewer details in the highlight zones. Buried deep within the 5th camera sub-menu, you will find Picture Profile. This means that they may not generate sufficient gradation, especially in the dark areas, when recording 8-bit footage. If you’re using an external recorder, it may have a similar function. Auto is optimised for the Movie and ITU709 gamma only, and offers less precise control. For details on “Picture Profile,” refer to http://helpguide.sony.net/di/pp/v1/en/index.html. (-2 (off to the vertical (V) side) to +2 (off to the horizontal (H) side)), B/W Balance: Selects the balance of the lower DETAIL (B) and Now that competitors have started to include 10-bit recording on their mirrorless camera, it’s time for Sony to catch up and take better advantage of its excellent sensors. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. Ethics statement: the following is based on our experience testing many A7 cameras over the years. A7/A9 series compatibility The content of this post is based on the A7 II, A7 III and A7 IV series, but it can also be considered valid for other products. It is not relevant for the A7 I, A7R I, A9 and A9 II because the Picture Profiles are missing from these cameras. Using an external recorder to capture more colour information (4:2:2 via HDMI rather than 4:2:0 on the SD card) and increase the bitrate (internal is max. Second, you have to think about your exposure. S-Log3 has a wider dynamic range than S-Log2, and its curve has been designed to be closer to that of film. They come from Sony’s extended knowledge of imagery in the broadcast and digital cinema world, and are the same kind of advanced settings you will find on the company’s professional camcorders and digital cinema cameras. The old Sony a7S is definitely an example of a camera that valued design over ergonomics, but the a7S II is quite comfortable to use. The white is replaced by grey, tone transitions are gone and the image looks unnatural. That said, I found that setting -2 for the V/H Balance does decrease noise a little. In our first example, you can see that the variations to Blue and Cyan are subtle, wheres Red and Magenta produce a more relevant difference. However these parameters are not beginner friendly and require some knowledge of video settings, broadcast standards and post production. There are different answers to this question: The last point is the easiest to understand. Included in this setting are S-Log2, S-Log3 and HLG that we’ll discuss further down. DETAIL. You can customize the picture quality by adjusting picture profile items such as [Gamma] and [Detail]. sony a7ii picture profiles for video. The Picture Profiles (or Video Profiles) are found in Camera Settings 1 in the menu, on page 12/14 (Color/WB/Img.Processing section). See how much more detail is preserved in the bright areas with the Picture Profile? As you can see in the image below, the grip on the a7S II is much more pronounced than the original a7S. You can see some examples in the video below. My Favorite Picture Profile For the Sony A7Sii and FS5 Three months ago, I started making wedding cinematography training videos to help others film weddings. For those unfamiliar with Cine4, it’s one of the many Gamma presets that Sony includes with their mirrorless cameras. (0 (shallow crispening level) to 7 (deep crispening level)). There are so many settings in the Picture Profile that you can easily forget what you’ve changed and realise weeks later that you’ve been shooting with wrong values. FilmConvert offers a wide variety of picture profiles for popular cameras. Before joining the ranks of a Sony Artisan of Imagery, Spencer Pablo has taught many workshops from the typical photo-based workshops to the emergency dispatch software conferences (and everything in between). Note: if you want to get a good result in-camera without having to grade, increase the saturation and decrease the Black Level. find out about the movie capabilities of your full frame E-mount camera here, you’re shooting with multiple cameras and you need to match the image of your A7 with a Sony camcorder, you want to colour grade in post production, you need to meet specific requirements for a client (ex. Also remember that it is easier to open the shadows while shooting, rather than doing it in post where you can have more noise to deal with.